Montserrat
Montserrat
下载字体ttf
下载字体
Montserrat Black Italic
Montserrat Black Italic
下载字体ttf
下载字体
Montserrat Bold
Montserrat Bold
下载字体ttf
下载字体
Montserrat Extra Bold
Montserrat Extra Bold
下载字体ttf
下载字体
Montserrat Extra Bold Italic
Montserrat Extra Bold Italic
下载字体ttf
下载字体
Montserrat Extra Light
Montserrat Extra Light
下载字体ttf
下载字体
Montserrat Italic
Montserrat Italic
下载字体ttf
下载字体
Montserrat Light
Montserrat Light
下载字体ttf
下载字体
Montserrat Light Italic
Montserrat Light Italic
下载字体ttf
下载字体
Montserrat Medium Italic
Montserrat Medium Italic
下载字体ttf
下载字体
Montserrat Regular
Montserrat Regular
下载字体ttf
下载字体
Montserrat Semi Bold
Montserrat Semi Bold
下载字体ttf
下载字体
Montserrat Thin
Montserrat Thin
下载字体ttf
下载字体
Montserrat Thin Italic
Montserrat Thin Italic
下载字体ttf
下载字体
Montserrat Bold Italic
Montserrat Bold Italic
下载字体ttf
下载字体
Montserrat Extra Light Italic
Montserrat Extra Light Italic
下载字体ttf
下载字体
Montserrat Medium
Montserrat Medium
下载字体ttf
下载字体
Montserrat Semi Bold Italic
Montserrat Semi Bold Italic
下载字体ttf
下载字体
The old posters and signs in the traditional Montserrat neighborhood of Buenos Aires inspired Julieta Ulanovsky to design this typeface and rescue the beauty of urban typography that emerged in the first half of the twentieth century. As urban development changes that place, it will never return to its original form and loses forever the designs that are so special and unique. The letters that inspired this project have work, dedication, care, color, contrast, light and life, day and night! These are the types that make the city look so beautiful. The Montserrat Project began with the idea to rescue what is in Montserrat and set it free under a libre license, the SIL Open Font License.
This is the normal family, and it has two sister families so far, Alternates and Subrayada. Many of the letterforms are special in the Alternates family, while 'Subrayada' means 'Underlined' in Spanish and celebrates a special style of underline that is integrated into the letterforms found in the Montserrat neighborhood.
Updated November 2017: The family was redrawn by Jacques Le Bailly at Baron von Fonthausenover the summer, and the full set of weights were adjusted to make the Regular lighter and better for use in longer texts. In fall, Julieta Ulanovsky, Sol Matas, and Juan Pablo del Peral, led the development of Cyrillic support, with consultation with Carolina Giovagnoli, Maria Doreuli, and Alexei Vanyashin.
The Montserrat project is led by Julieta Ulanovsky, a type designer based in Buenos Aires, Argentina. To contribute, see github.com/JulietaUla/Montserrat