Bitter
The quick brown fox jumps over the lazy dog

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Bitter Black
Bitter Black Baixar fontettf Baixar fonte
Bitter Bold Italic
Bitter Bold Italic Baixar fontettf Baixar fonte
Bitter Extra Bold
Bitter Extra Bold Baixar fontettf Baixar fonte
Bitter Extra Light Italic
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Bitter Italic
Bitter Italic Baixar fontettf Baixar fonte
Bitter Medium
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Bitter Medium Italic
Bitter Medium Italic Baixar fontettf Baixar fonte
Bitter Semi Bold Italic
Bitter Semi Bold Italic Baixar fontettf Baixar fonte
Bitter Thin
Bitter Thin Baixar fontettf Baixar fonte
Bitter Black Italic
Bitter Black Italic Baixar fontettf Baixar fonte
Bitter Bold
Bitter Bold Baixar fontettf Baixar fonte
Bitter Extra Bold Italic
Bitter Extra Bold Italic Baixar fontettf Baixar fonte
Bitter Extra Light
Bitter Extra Light Baixar fontettf Baixar fonte
Bitter Light
Bitter Light Baixar fontettf Baixar fonte
Bitter Light Italic
Bitter Light Italic Baixar fontettf Baixar fonte
Bitter
Bitter Baixar fontettf Baixar fonte
Bitter Semi Bold
Bitter Semi Bold Baixar fontettf Baixar fonte
Bitter Thin Italic
Bitter Thin Italic Baixar fontettf Baixar fonte

People read and interact with text on screens more and more each day. What happens on screen ends up being more important than what comes out of the printer. With the accelerating popularity of electronic books, type designers are working hard to seek out the ideal designs for reading on screen.

Motivated by my love for the pixel I designed Bitter. A "contemporary" slab serif typeface for text, it is specially designed for comfortably reading on any computer or device. The robust design started from the austerity of the pixel grid, based on rational rather than emotional principles. It combines the large x-heights and legibility of the humanistic tradition with subtle characteristics in the characters that inject a certain rhythm to flowing texts.

Bitter has little variation in stroke weight and the Regular is thicker than a normal ‘Regular’ style for print design. This generates an intense color in paragraphs, accentuated by the serifs that are as thick as strokes with square terminals.

Each glyph is carefully designed with an excellent curve quality added to the first stage of the design, that was entirely made in a pixel grid. The typeface is balanced and manually spaced to use very few kerning pairs, especially important for web font use since most browsers do not currently support this feature.

Designed by Sol Matas for Huerta Tipográfica