Lato
The quick brown fox jumps over the lazy dog

Ripristina

Lato Black
Lato Black Scarica caratterettf Scarica carattere
Lato Black Italic
Lato Black Italic Scarica caratterettf Scarica carattere
Lato Bold
Lato Bold Scarica caratterettf Scarica carattere
Lato Extra Bold
Lato Extra Bold Scarica caratterettf Scarica carattere
Lato Extra Bold Italic
Lato Extra Bold Italic Scarica caratterettf Scarica carattere
Lato Extra Light
Lato Extra Light Scarica caratterettf Scarica carattere
Lato Italic
Lato Italic Scarica caratterettf Scarica carattere
Lato Light
Lato Light Scarica caratterettf Scarica carattere
Lato Light Italic
Lato Light Italic Scarica caratterettf Scarica carattere
Lato Medium Italic
Lato Medium Italic Scarica caratterettf Scarica carattere
Lato
Lato Scarica caratterettf Scarica carattere
Lato Semi Bold
Lato Semi Bold Scarica caratterettf Scarica carattere
Lato Thin
Lato Thin Scarica caratterettf Scarica carattere
Lato Thin Italic
Lato Thin Italic Scarica caratterettf Scarica carattere
Lato Bold Italic
Lato Bold Italic Scarica caratterettf Scarica carattere
Lato Extra Light Italic
Lato Extra Light Italic Scarica caratterettf Scarica carattere
Lato Medium
Lato Medium Scarica caratterettf Scarica carattere
Lato Semi Bold Italic
Lato Semi Bold Italic Scarica caratterettf Scarica carattere

Lato is a sans serif typeface family started in the summer of 2010 by Warsaw-based designer Łukasz Dziedzic (“Lato” means “Summer” in Polish). In December 2010 the Lato family was published under the Open Font License by his foundry tyPoland, with support from Google.

In the last ten or so years, during which Łukasz has been designing type, most of his projects were rooted in a particular design task that he needed to solve. With Lato, it was no different. Originally, the family was conceived as a set of corporate fonts for a large client — who in the end decided to go in different stylistic direction, so the family became available for a public release.

When working on Lato, Łukasz tried to carefully balance some potentially conflicting priorities. He wanted to create a typeface that would seem quite “transparent” when used in body text but would display some original traits when used in larger sizes. He used classical proportions (particularly visible in the uppercase) to give the letterforms familiar harmony and elegance. At the same time, he created a sleek sans serif look, which makes evident the fact that Lato was designed in 2010 — even though it does not follow any current trend.

The semi-rounded details of the letters give Lato a feeling of warmth, while the strong structure provides stability and seriousness. “Male and female, serious but friendly. With the feeling of the Summer,” says Łukasz. Learn more at www.latofonts.com

Update, August 2014: The previous version of Lato included Extended Latin characters in the Latin subset. If you are experiencing problems, please select the Extended Latin (latin-ext) subset to render all European languages correctly. Here is an example of a complete link tag that selects these subsets: