Boring Sans A

The quick brown fox jumps over the lazy dog

Boring sans a Police

Par Zetafonts Télécharger Font

Free for personal use

Réinitialiser

Boring Sans A bold italic

Boring Sans A bold italic Télécharger la policettf Télécharger la police

Boring Sans A bold

Boring Sans A bold Télécharger la policettf Télécharger la police

Boring Sans A heavy italic

Boring Sans A heavy italic Télécharger la policettf Télécharger la police

Boring Sans A heavy

Boring Sans A heavy Télécharger la policettf Télécharger la police

Boring Sans A italic

Boring Sans A italic Télécharger la policettf Télécharger la police

Boring Sans A light italic

Boring Sans A light italic Télécharger la policettf Télécharger la police

Boring Sans A light

Boring Sans A light Télécharger la policettf Télécharger la police

Boring Sans A medium italic

Boring Sans A medium italic Télécharger la policettf Télécharger la police

Boring Sans A medium

Boring Sans A medium Télécharger la policettf Télécharger la police

Boring Sans A

Boring Sans A Télécharger la policettf Télécharger la police

The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!

To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website:
www.zetafonts.com/boring-sans

For more info about our licenses:
www.zetafonts.com/licensing

CONTACT US:
website: www.zetafonts.com
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Boring Sans, designed by Cosimo Lorenzo Pancini, is a typeface family designed along two variable axis: weight and weirdness. These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media.

The basic "A" subfamily, developed in five weights plus italics, behaves like a traditional, solid workhorse sans serif, with finely tuned proportions for optimal readability and minimal emotional impact. The "B" subfamily, developed in the same ten weights, shows a more contemporary "brutal" approach, with slanted lines, deep ink traps and stronger contrast. All these features are brought to the extreme in the ten weights of the "C" subfamily, with each letter a bombastic show of exuberant weirdness. Each of the style variant is developed in five weight with matching italics, with a glyph set covering extended latin languages and including many alternate forms and stylistic sets.

Mots clés Sans serif Ennuyeux Italique Lumière Noir Lourd Gras Moyen Basique