Lato
The quick brown fox jumps over the lazy dog

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Lato Black
Lato Black Descargar fuentettf Descargar fuente
Lato Black Italic
Lato Black Italic Descargar fuentettf Descargar fuente
Lato Bold
Lato Bold Descargar fuentettf Descargar fuente
Lato Extra Bold
Lato Extra Bold Descargar fuentettf Descargar fuente
Lato Extra Bold Italic
Lato Extra Bold Italic Descargar fuentettf Descargar fuente
Lato Extra Light
Lato Extra Light Descargar fuentettf Descargar fuente
Lato Italic
Lato Italic Descargar fuentettf Descargar fuente
Lato Light
Lato Light Descargar fuentettf Descargar fuente
Lato Light Italic
Lato Light Italic Descargar fuentettf Descargar fuente
Lato Medium Italic
Lato Medium Italic Descargar fuentettf Descargar fuente
Lato
Lato Descargar fuentettf Descargar fuente
Lato Semi Bold
Lato Semi Bold Descargar fuentettf Descargar fuente
Lato Thin
Lato Thin Descargar fuentettf Descargar fuente
Lato Thin Italic
Lato Thin Italic Descargar fuentettf Descargar fuente
Lato Bold Italic
Lato Bold Italic Descargar fuentettf Descargar fuente
Lato Extra Light Italic
Lato Extra Light Italic Descargar fuentettf Descargar fuente
Lato Medium
Lato Medium Descargar fuentettf Descargar fuente
Lato Semi Bold Italic
Lato Semi Bold Italic Descargar fuentettf Descargar fuente

Lato is a sans serif typeface family started in the summer of 2010 by Warsaw-based designer Łukasz Dziedzic (“Lato” means “Summer” in Polish). In December 2010 the Lato family was published under the Open Font License by his foundry tyPoland, with support from Google.

In the last ten or so years, during which Łukasz has been designing type, most of his projects were rooted in a particular design task that he needed to solve. With Lato, it was no different. Originally, the family was conceived as a set of corporate fonts for a large client — who in the end decided to go in different stylistic direction, so the family became available for a public release.

When working on Lato, Łukasz tried to carefully balance some potentially conflicting priorities. He wanted to create a typeface that would seem quite “transparent” when used in body text but would display some original traits when used in larger sizes. He used classical proportions (particularly visible in the uppercase) to give the letterforms familiar harmony and elegance. At the same time, he created a sleek sans serif look, which makes evident the fact that Lato was designed in 2010 — even though it does not follow any current trend.

The semi-rounded details of the letters give Lato a feeling of warmth, while the strong structure provides stability and seriousness. “Male and female, serious but friendly. With the feeling of the Summer,” says Łukasz. Learn more at www.latofonts.com

Update, August 2014: The previous version of Lato included Extended Latin characters in the Latin subset. If you are experiencing problems, please select the Extended Latin (latin-ext) subset to render all European languages correctly. Here is an example of a complete link tag that selects these subsets: