Boring Sans A
The quick brown fox jumps over the lazy dog

Boring sans a Schriftart

Von Zetafonts Herunterladen Font
  • Free for personal use

Zurücksetzen

Boring Sans A bold italic
Boring Sans A bold italic Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A bold
Boring Sans A bold Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A heavy italic
Boring Sans A heavy italic Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A heavy
Boring Sans A heavy Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A italic
Boring Sans A italic Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A light italic
Boring Sans A light italic Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A light
Boring Sans A light Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A medium italic
Boring Sans A medium italic Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A medium
Boring Sans A medium Schriftart herunterladenttf Schriftart herunterladen
Boring Sans A
Boring Sans A Schriftart herunterladenttf Schriftart herunterladen
 The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!

To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website:
www.zetafonts.com/boring-sans

For more info about our licenses:
www.zetafonts.com/licensing

CONTACT US:
website: www.zetafonts.com
have a question?: 

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Boring Sans, designed by Cosimo Lorenzo Pancini, is a typeface family designed along two variable axis: weight and weirdness. These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media.

The basic "A" subfamily, developed in five weights plus italics, behaves like a traditional, solid workhorse sans serif, with finely tuned proportions for optimal readability and minimal emotional impact. The "B" subfamily, developed in the same ten weights, shows a more contemporary "brutal" approach, with slanted lines, deep ink traps and stronger contrast. All these features are brought to the extreme in the ten weights of the "C" subfamily, with each letter a bombastic show of exuberant weirdness. Each of the style variant is developed in five weight with matching italics, with a glyph set covering extended latin languages and including many alternate forms and stylistic sets.